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Reviews of the third edition:

"Literally thousands of our hotline questions could be answered in this book alone. Get this book so you won't have to ask us!"

Reviews of and Awards for the second edition:

The second edition of Photoshop Restoration & Retouching was awarded a prestigious Best Books of 2003 award by The Design Bookshelf. Click on the award logo to read the review

Interview with me at The Design & Publishing Center

Reviews of and Awards for the first edition:

Excerpt of Review: "Katrin Eismann's "Photoshop Restoration & Retouching" is one of the most enjoyable Photoshop books I've run across in a long time. Not only does it contain the most important lessons in Photoshop use, it's written in such a friendly, conversational manner I felt at home with Katrin almonst immediately. She has such a nice 'hand' that you simply flow into the lessons -- even the hard, cold, techniques -- as if you were reading a leisure novel. This "personality" does not betray the hidden powers of Katrin's writings however. The power is here -- you can darn well bet on that."

For a complete review with images and links please click on the award icon above.



A thoughful review by Pedro Meyer posted at

Photoshop Restoration and Retouching
by Katrin Eismann
One of the problems that I get to hear most often, has to do with training. If someone states that they are interested in learning how to work digitally in photography then "what school do you recommend ?" is the next question that always follows.The best advice that I can give you, is to teach yourself and have a network with whom to remain in touch to deal with certain questions. So how does one go about teaching oneself, and above all why do it that way.

For one, if you go to take regular school courses, you have to acknowledge that the speed at which you are taught is not necessarily your own. You might be slower or faster in grasping ideas, but when you have to work within a group, there is the inevitable average that sets in, and that might not have much to do with your own personal needs.

Then of course there might not be a school in the area were you live that teaches digital photography, so this argument alone goes a long way in giving you a good reason for teaching yourself.Then also you might want to invest your time in learning certain things and not others. We all have a limited time schedule, so it works well when you can concentrate in learning specific subjects. Oh! I almost forgot, it is also cheaper, by a considerable margin.

Teaching yourself however is not that simple or for that matter the ideal solution for everyone, it requires in addition to discipline some tools (books, tapes, etc.) that if they are not the right ones, you end up creating a lot of frustration for yourself. To our good fortune however, there is an ever increasing number of suitable tutorial tools which can show you step by step how to learn digital photography or making videos, to name just a few.

Katrin Eismann, has just published one of such books for teaching oneself, which we can highly recommend. The title of the book "PhotoShop Restoration and Retouching", is a bit misleading, in that the book offers more than what the title promises. I imagine that they narrowed it down for marketing reasons, however you can rest assured that you will get more than you bargained for. The examples are largely centered around the "Restoration and Retouching" functions of the photographer, but anything you will learn from this book you can also apply to what ever direction your personal photography actually takes you to. You can be a documentary photographer or an architectural or landscape photographer, and for these and other instances you will find a wide array of applicable ideas throughout this book.

The texts are very well written, the design and layout is clear and concise, there is humor, and a lots of images to show along the way in a step by step procedure that even if you happen to be "slow," you will get it. They even have a web site linked to this book for your further explorations. The paper on which this book is printed, I found to be of very fine quality, which allows for good reproductions and easy reading. There is definitely good production value throughout this book.

The publication holds up well until we get to chapter 10 (fortunately, the last one), which is dedicated to Glamour and Fashion Retouching. Some of the examples are out right cheesy and not up to the integrity in the rest of the volume. The part on "Digital Liposuction," already the name, is straight out of a Florida tabloid. A perfectly lovely model whose thighs are nothing to be ashamed off, has been slimmed down according to some questionable esthetical considerations, that makes one wonder how they could have gotten it so wrong in what is otherwise a quite wonderful book.

The whole notion of retouching a picture in order to change the way one looks should not have gone without some critical comments alongside the alterations that are being taught. The author herself, a very good looking woman without any further retouching, goes into this whole illustrated exercise of transforming herself, so as to fit into some preconceived notion of how she ought to look. It is obviously her privilege and choice to make herself out as she fancies, but any critical thinking on such matters is as important as teaching us how to do a nose or lip job on anyone. Why do we even want to alter a face, should not be left unquestioned. None of the alterations offered had anything to do with artistic expressions, they belonged strictly in the realm of the most banal thinking with regard to how a person should look in an age of "glamour."

Maybe in a future edition the up and coming digital photographer will find more than was offered in a timid last paragraph of "closing thoughts." There, Katrin Eismann, did let us in on a secret, that in fact all these "fashion bodies," in a strict sense, did not really exist. As it stands now the chapter started out with some superficial observations about natural beauty more akin to a cigarette safety disclaimer such as "smoking causes cancer", than a healthy confrontation with stereo types that only tend to be perpetuated when they are not dealt with adequately.

In spite of this last very flawed chapter ten, the book is excellent and very well worth buying. You will not go wrong in using it as a tutorial in a program to teach yourself many interesting techniques about digital photography.
- Pedro Meyer


  An online review by Doug Nelson

If you're looking for a book specifically about restoring old or damaged photographs using Photoshop, the decision is pretty easy since there's only one: Photoshop Restoration & Retouching, by Katrin Eismann. I can't remember a time when I've more eagerly awaited the publication of a book, but this one was well worth the wait.

My first exposure to Katrin Eismann was when I attended her seminar and met her briefly afterwards at a Thunder Lizard Photoshop Conference in San Francisco a few years ago. Eismann is well-known on the professional Photoshop speaking circuit. She's written other books about different areas of Photoshop usage, but she's stuck in my mind as the only lecturer or author that seemed to give a second thought to photo restoration.

Eismann's own approach to restoration differs considerably from my own. I'm more a fiddle-and-fudge kind of restorer. Perhaps because it's the only way to communicate the craft in book form, she stresses numerical values and measurements. I suspect that, if one were to look over her shoulder while she worked, that perceived difference in our procedures would disappear. It's difficult to teach artistry, particularly from a book. Having tried to instruct others using my own techniques, I must admit her teaching method is much more effective.

Two things immediately impressed me when reading this book: Eismann's insistence on sensitivity and empathy for the subjects in the photograph to be restored, and her repetition of my own personal retouching mantra (experiment, experiment, experiment...).

The first 2/3 of the book are about photo restoration, while the final 1/3 discusses retouching such as you would need to do for a portrait or commercial photography studio. After a quick brushup on basic Photoshop usage, she dives right into the deep end of hard-core restoration. I've been doing restorations (both digital and traditional) for many years, but I was pleasantly surprised by how much new information I was able to pick up.

Rather than including a CD-ROM, Eismann has set up a website ( where the example photos from the book are available to download in both medium and high resolution versions. This gives the advantage of keeping this admittedly pricey book from costing even more, and also allows for dynamic content as she posts additional resources and examples. Of course, few Photoshop books speak so directly to commercial production, so this book essentially pays for itself.

If everyone interested in learning digital restoration would memorize all the information in this book, this website would be pretty much superfluous. Luckily, there's so much information in Photoshop Restoration & Retouching that no one could memorize it all.